Spring 2016 Timetable (subject to change)


Part I: Field Production - Class in Armoury 218 - meeting times 1p until 4:50p (combination of lecture and in-class activities - we use our allotted class time to work on assignments and get practice, practice, practice)

Week 1

Tuesday 12 January 

Hello and Introduction

  • Stages of production
  • Types of productions
  • Production personnel
  • Equipment overview and policies
  • Types of shots
  • In-class exercise - use your smart phones to collect the different types of shots
  • DISCUSS STORYBOARD ASSIGNMENT - due Tuesday, 19 January
  • SELECT VOLUNTEERS FOR THURSDAY'S PRODUCTION DEMO
  • In-class exercise - storyboard a scene from a piece of literature

Thursday, 14 January

  • PRODUCTION DEMO (first hour)
  • Camera lessons - groups will move from tripods, cameras and microphones
  • In-class exercise - same groups go outside and get familiar with the camera and microphones
  • What goes in the camera bag?
  • Exposure Settings
  • Audio Settings
  • Do's and Don't's
  • IN-CLASS EXERCISE - VIDEO ALPHABET - SCREENING Tuesday 19 January

WEEKEND READING

Chapter 1 – The Television Production Process

  • Section 1.1 What Television Production Is All About
  • Section 1.2 Technical Production Systems

Chapter 4 – The Director in Preproduction

  • Pages 67-70 about Storyboarding
Chapter 7 – Camera Operation and Picture Composition
  • Section 7.1 – Working the Camera
  • Section 7.2 - Picture Composition

Chapter 17 - Field Production and Big Remotes

  • Section 17.1 – Field Production
  • Section 17.2 – Covering Major Events                                 

Week 2

Tuesday, 19 January

Storyboard Exercise DUE

Video Alphabet Exercise DUE - screen clips in class

  • Video Composition and Rule of Thirds
  • Shooting Interviews
  • Camera movements, including hand-held
  • In-class exercise - watch news packages and count shots - evaluate what you see
  • In-class group discussion - how should video work be evaluated - write up your own grading rubric
  • Video Portrait Ideas (this assignment is due Week 8, but start coming up with ideas now and make appointment with me in the next week to discuss your idea)
  • IN-CLASS EXERCISE - Lenses and Framing (use cameras and smart phones to get shots)

READING: 

Chapter 5 – The Television Camera

·       Section 5.1 – How Television Cameras Work

Chapter 6 – Lenses

·       Section 6.1 - What Lenses Are

·       Section 6.2 - What Lenses See

 

Thursday, 21 January

  • Adobe Premiere Lessons - basic editing
  • BEGIN EDITING EXERCISE - Due Tuesday 26 January - start the exercise while the lessons are still fresh in your head!

WEEKEND READING: 

Chapter 12 - Video-Recording Procedures and Systems

·       Section 12.1 – How Video Recording is Done

·       Section 12.2 - Tapeless Video Recording Systems

Chapter 18 – Postproduction Editing: How it Works

·       Section 18.1 How Nonlinear Editing Works

·       Section 18.2 – Audio/Video Linkage

Chapter 19 – Editing Functions and Principles

·       Section 19.1 – Continuity Editing

·       Section 19.2 – Complexity Editing



Week 3

Tuesday, 26 January

Editing Exercise DUE – screening in class

  • Interview audio and NATS, using sound
  • Using microphones - wired and wireless
  • Guest speaker - Ariel Mata, 9News producer and CU alum will join us
  • IN-CLASS EXERCISE - shoot interviews using the camera's shotgun mic, the wired hand mic microphone and the wireless mic to compare the difference in audio quality

READING:

Review Chapter 5 – The Television Camera

Review Chapter 6 - Lenses                             

Chapter 8 – Audio Sound Pickup

·       Section 8.1 – How Microphones Hear

·       Section 8.2 – How Microphones Work

               

Thursday, 28 January

  • Sequences
  • IN-CLASS EXERCISE - go out and deliberately shoot poor shots - class screening
  • Editing with music 
  • IN-CLASS EXERCISE - In groups, shoot the 5-Shot Sequence Exercise and start editing (class screening next Tuesday)

WEEKEND READING: 

Review Chapter 7.2 – Picture Composition

Review Chapter 19 – Editing Functions and Principles

Chapter 10 – Lighting

·       Section 10.1 - Lighting Instruments and Lighting Controls

·       Section 10.2 – Light Intensity, Baselight Levels, Colour Temperature and Colour Mixing

Chapter 11 – Techniques of Television Lighting

·       Section 11.1 - Lighting in the Studio

·       Section 11.2 – Lighting in the Field           

Chapter 16.2 – Single-camera and Digital Cinema Directing           



Week 4

Tuesday, 2 February
5-Shot Sequence Exercise - class screening

  • Lighting
  • IN-CLASS EXERCISE - using the lighting gear
  • Natural transitions
  • Matching Action
  • Discuss Matching Action Exercise - due Thursday, 11 February (have footage by Tuesday next week)
  • IN-CLASS EXERCISE - get the most unusual angles - put the camera lens where eyes don't usually go
  • From this date forward you can start collecting footage for your Video Portrait Exercise, have all your footage shot by Thursday 18 February

READING:

Review Chapter 10 – Lighting

Review Chapter 11 – Techniques of Television Lighting    

Review Chapter 19 – Editing Functions and Principles



Thursday, 4 February

  • Lighting with guest speaker, Eric Kehe, 9News videographer
  • Continue work on Matching Action and/or Video Portrait Exercise 

Week 5

Tuesday, 9 February

Have Matching Action footage completed and available for class today

  • Creating the TV Image
  • IN-CLASS EXERCISE - in groups, find 3 videos on the Internet that explain digital TV - share with class
  • Remainder of class - edit Matching Action Exercise

READING:

Chapter 5 – The Television Camera

·       Section 5.2 – How Digital Video Works


Thursday, 11 February

Matching Action Exercise DUE - class screening
  • Producing and Scripting
  • The Proposal
  • Focus Statements
  • IN-CLASS EXERCISE - in groups, locate examples of PSA's on the Internet. Come up with your own topic and write a treatment for it with a focus statement and tag line. Pitch to the class and get feedback! Your group has the weekend available to get an early start on shooting the PSA.

WEEKEND READING:


Chapter 2 – The Producer in Pre-production

·       Section 2.1 – What Producing Is All About

·       Section 2.2 – Information Resources, Unions, and Ratings

Chapter 3 – The Script

·       Section 3.1 – Basic Script Formats

·       Section 3.2 – Dramatic Structure, Conflict, and Dramaturgy


Week 6

Tuesday, 16 February
PSA PROPOSAL, STORYBOARD AND SCRIPT DUE - give me a copy so you'll have one for your shoot

  • PSA Shoot with final edit due Thursday, 18 February

Thursday, 18 February

PSA Exercise DUE - class screening

Footage for Video Portrait is due - you really need to have this footage now to start scripting

  • PSA screening and feedback - IN-CLASS - go back over PSA and modify based on feedback
  • Fast Package Editing
  • Make sure you're moving forward with your Video Portrait Exercise - you'll need your script before you start editing - see me to get feedback for your script.

Week 7

Tuesday, 23 February

  • Continue working on Video Portrait Exercise - by now you should be editing. 

Thursday, 25 February

First cut of video portrait exercise DUE - class screening and feedback

  • Edit revisions based on feedback

Week 8

Tuesday, 1 March

Final Video Portrait Exercise DUE - screening in class

  • Review session

Thursday, 3 March

MIDTERM – covers everything so far

 

WEEKEND READINGS: 

Review Chapter 7 – Camera Operation and Picture Composition

Chapter 13 – Switching, Or Instantaneous Editing

·       Section 13.1 – How Switchers Work

·       Section 13.2 – Special Purpose Switchers

Chapter 15 – Television Talent

·       Section 15.1 – Television Performers and Actors

·       Section 15.2 – How to Do Makeup and What to Wear




PART II: STUDIO PRODUCTION
MEET IN ATLAS STUDIO Class hours – 1pm – 4:50pm  LEVEL B-2 IN ATLAS BUILDING


Week 9

Tuesday, 8 March

Introduction to the Studio

·       Cameras and Microphones

·       Video Switcher

·       Character Generator

·       Audio Board

*     On-camera performance

·       What to wear

·       Make-up

·       DISCUSS STUDIO INTERVIEW ASSIGNMENT

 

READING

Chapter 4 – The Director in Preproduction

·       Section 4.1 – How a Director Prepares

·       Section 4.2 – Communication and Scheduling

Chapter 16 – The Director in Production

·       Section 16.1 – Multi-camera Control Room Directing

·       Section 16.2 – Single-camera and Digital Cinema Directing

 

Thursday, 10 March

  • Directing
  • Practice directing mock interviews
  • Write your directing cheat-sheets
           

WEEKEND READING:

Review Chapters 4, 13 & 16

Chapter 9 – Audio Sound Control

·       Section 9.1 - Sound Controls and Recording

·       Section 9.2 – Stereo, Surround Sound, and Sound Aesthetics

Chapter 14 - Design

·       Section 14.1 - Designing and Using Television Graphics

·       Section 14.2 - Scenery and Props

 

 

Week 10

Tuesday, 15 March

  • Begin Studio Interview Exercise  

Thursday, 17 March

  • Finish Studio Interview Exercise
  • Discuss News Break Exercise

             

Week 11 - Spring Break!!!!


Week 12

Tuesday, 29 March                        

  • Finish Studio Interview Exercise
  • Discuss News Break Exercise


Thursday, 31 March

  • Begin News Break Exercise

Week 13

Tuesday, 5 April

  • Continue News Break Exercise

Thursday, 7 April

  • Finish News Break Exercise
  • Pop Assignment!
  • Discuss Final Project 

Week 14

Tuesday, 12 April

  • Groups work on Final Project Ideas (3 groups)
  • Chroma Key
  • Video Switcher Editing

Thursday, 14 April

  • Begin Final Project

Week 15

Tuesday, 19 April

  • Continue Final Project 

Thursday, 21 April

  • Continue Final Project 

Week 16

Tuesday, 26 April

  • Continue Final Project

Thursday, 28 April - Last Day of Class!!!

  • Finish Final Project
  • Hand out Take Home Final – due back by  Monday, 2 May at 5pm!

Goals

Teaching Philosophy

What's expected from you?

Required text and supplies

Grading

Grading Rubrics

Time Table